• Claire tagged me for the Meme of Four a while back.  It seems to have morphed a little in the meantime, or maybe that was just me —

    Four Jobs You’ve Had in Your Life:  Library page, library clerk, library assistant, library cataloger.  (And get this, all at the same place!)

    Four Movies You Could Watch Again and Again But For Some Reason Haven’t Pulled Off the Shelf in Ages:  "Truly, Madly, Deeply", the 1987 Lord Peter Wimsey/Harriet Vane series, "The Music Man", "Our Mutual Friend".

    Four Places You’ve Lived in Another Life (Or Wish You’d Lived if You Can’t Really Believe in Past Lives):  England at pretty much any point in history, somewhere on the Oregon Trail, ancient Egypt, Renaissance Italy.

    Four Relatively Obscure Actors Who Make You Cheer When You See Their Name Scrolling By After the Title:  Sophie Thompson, Roshan Seth, Cherie Lunghi, Jean-Pierre Cassel.

    Four Voices You’ll Listen To Even if All They Are Reading Is Your Grocery List:  David McCullough, Alan Rickman, Michael Wood, Cecilia Bartoli (especially because my grocery list would sound fantastico in Italian).

    Four Websites On Your Blogroll:  Blogroll?

    Four Food Indulgences:  Sticky toffee pudding, a Ruby’s Super Burger with a cherry Coke (the only time I ever drink Coke, and it has to be with Grenadine, not that fake stuff), scones with clotted cream, See’s chocolates (especially the chocolate buttercreams).

    Four Things to Knit if You Ever Get Around to Joining the Behind the Times Knitalong:  A Picovoli, Eris, a Sophie bag, another Clapotis.

    Four Albums You Can’t Live Without:  The Christopher Hogwood recording of Handel’s "Messiah", Vivaldi cello concertos, a "Best of Split Enz" that has a lot more tracks than this, and a Beatles to be named later (because I can’t decide).

    Four Simple Pleasures:  Coming in to the house from outside and smelling something good, and realizing, "That’s my dinner!"  Writing a letter with pen and paper.  Glass doorknobs.  Watching my children sleep.

  • Show and Tell Friday this week wonders about our favorite room….

    Our house was built in 1929.  It is not particularly fancy, nor a remarkable example of bungalow architecture, but it is cozy and welcoming, and we loved it instantly.  I love older houses — there is a lot to be said for newness, but not only do I prefer the older architecture, but I feel an enormous satisfaction from knowing that generations of families have grown up in a house, in the connection to history and time that come with an older house.

    Our house was a rental for a long time before we bought it, and we got it for a song from the bank who had repossessed it, just before the real estate market soared.  I have a kind of superstitious feeling about repossessed things, cars especially, but with houses it’s exactly the opposite.  It was unloved, unlooked-after, abandoned really, and now somebody loves it.  Each of the rooms has its own character and charm, but the sunroom holds a special place in my affection, as it is so far the first one we have "remodelled".

    This room used to be a porch at the side of the house, a common feature in bungalows.  At some point in the past — after the switch to drywall, is all we know — the porch was enclosed and the french doors moved to the new exterior wall.

    Sunroom1

    At first, we used this room as a sunroom — which is what we still call it — with white-painted wicker furniture and a table covered with plants, since the western exposure makes it very bright on summer afternoons.  (I had a lovely dream of looking out the windows onto roses planted along the edge of the driveway, but I’m afraid the tree-planting frenzy of the 1960s owner has made it far too shady for roses, and for the moment the only thing that lives there is trash cans.  It’s on the list of Things to Change.)  After our first baby started crawling, we put up a temporary gate from the dining room, as we worried that she would fall off the step onto the hard concrete floor and break her nose, and then because the gate was so hard to step over, we rarely used it.  After Julia was born, we decided to make it into a playroom for the girls.  We were getting a new roof and fixing serious termite and water damage at the same time, so this room was gutted and fitted out with new drywall, new double-paned windows and wiring, and I painted it, the stucco and trim a plain clear white and the drywall a lovely buttery yellow, Laura Ashley Pale Cowslip I.

    Sunroom3

    David’s parents still had his desk knocking about in their basement, so we were happy to pass that along to our girls, with an inexpensive but fairly sturdy IKEA chair.  A piece of blue plush carpet with a non-slip liner underneath makes the hard floor comfortable, and a pile of IKEA pillows can be tossed into the corner to clear the floor, or piled up to make a cozy reading spot.  A small but fairly handsome laundry basket makes a handy spot for toys.  It is intentionally rather spartan, both because the room itself is just too small for much furniture, and so that it is adaptable to whatever the girls want to do at a given moment.  The window into the breakfast room makes a great puppet theater.

    Sunroom2

    The transition from the formerly-exterior stucco and the drywall had always been an awkward one, and so when I saw this molding carved with climbing roses at a building-supply company, I knew it would do the job perfectly.

    Sunroom4

    We dawdled rather a long time with curtains, but eventually the foot traffic from the apartment building next door proved too much, and we put these up.  I sketched out a fairly simple bracket, and David cut and installed them, with one long rod that runs the length of what is essentially a wall of windows.  I wanted curtains that would be easy to remove for washing, so the rod only rests on the bracket, and the rings are simple plastic ones from the crafts store, that are sewn onto panels of bleached muslin, and I just toss them in the laundry.  The rings make it easy for the girls to open and close the curtains themselves.

    Sunroom5

    It makes me happy.

  • Booking Through Thursday this week wonders about the compulsions of famous people to write books, both how and why….

    1. What do you think of celebrities who write biographies when they’re only twenty-something?  If they’ve got something to say, and the determination to see it through the writing and publishing, then I salute them.  I wish I’d done something worth writing about in my twenties!
    2. Have you read any?  I read Kenneth Branagh’s Beginning, which I found fairly interesting.  If I have read any others, I’m afraid they weren’t terribly memorable.  (Please note the "worth writing about" in #1.)
    3. What about novels by people such as politicians? Are they just cashing in on their fame? Ah.  Difficult question.  Politics can be such a self-serving field, although I would like to think that there are still some noble-spirited people around who get into politics so that they really can help people.  I also understand the need to write.  Why should politicians be immune from this simply because they are politicians?  That said, I don’t have to read it just because it’s been written (or just because the author is famous), either.
    4. Should ghost-writing be allowed or should the true writer get the credit?  This seems uncomfortably close to plagiarism to me, although bizarrely with the actual author’s cooperation.  Why would someone want to take credit for someone else’s work, and why would someone be willing to let someone else take all of that credit?  I don’t really understand the kind of ego that can’t accept even an "as told to" line, or acknowledge the contributions of a really good editor.
  • I’ve gotten almost to the end of the third fishtrap repeat on the Aran — just about where the armholes will be.  I like the pattern, the way the lines move in and out, like a stately dance — it’s simple enough to be more-or-less memorized, but I find this lets me daydream perhaps a little too much.

    Aran_magnoliablossom

    I was rather surprised to hear that A Bluestocking Knits had been nominated for "Best New Knitting Blog" at the 2005 Knitting Blog Awards organized by QueerJoe.  I couldn’t think why my visitor stats had skyrocketed this past week!  Obviously, I should get out more.  Anyway, I just want to say thanks to whoever nominated this blog, and congratulations to the winners.  It really is an honor just to be nominated!

    But before I’d even had much of a chance to fantasize about red carpets and Badgley-Mischka gowns, life broke in as usual this morning — Julia wanted to take her new ballerina Barbie for show-and-tell at preschool, and Laura cried because Julia had taken the same Barbie only last week and now Laura thought that she should have a turn to play with it, in the two hours this morning before her late-start day, and Julia dug in and insisted (rightly enough) that it is her Barbie, and I turned around to find that Julia had taken off the socks I’d just put on her, throwing them who knows where, as I still haven’t found the other one, and tempers were getting short all around, I had to pack Julia’s lunch and get the laundry started and we should have left five minutes ago — and somehow a little miracle occurred, and Julia suddenly said, "Laura can play with my Barbie.  I want to take her new Little Pony for sharing," and Laura saw the wisdom of this, the Little Pony which she had refused to let Julia take for show-and-tell last week.  Peace was restored.  Isn’t it amazing how one minute they can be at each other’s throats, and the next generous and kind?!

    And I got to spend the first part of the afternoon in a house filled with utter silence, except for the wind outside and the occasional murmured "whoops, that’s not right" when I found that I’d twisted right instead of left.

  • Moth Heaven Julia asked about the "Golden Hands" books that I mentioned in a comment on her post of January 2nd, when she wrote about the Time-Life Art of Sewing books she was given for Christmas.  I don’t think I could do this series justice without at least a few pictures, so I thought I’d write a post about it.

    Goldenhands_1_1

    "Golden Hands" was a serial published by Marshall Cavendish in the early 1970s, not technically a book but a series of magazines, essentially, that you would buy as they came out.  (My mom got hers at the grocery store.  You could send away for binders to keep the issues in order — "$1.75 plus 25¢ shipping and handling" — and the index.)  It was kind of like a home-study thing, a little "chapter" of two to four pages per issue on knitting, crochet, embroidery, needlepoint, dressmaking, beading, patchwork, tatting, and so on, and finishing and care techniques for the resulting projects.  If you were a complete beginner, you could start at the "Knitting Know-How 1" chapter, for instance, which gives basics on yarn types, gauge, and abbreviations, then goes on to casting on and off, the knit stitch and the purl, with increasingly advanced techniques throughout the 74 chapters.  I more-or-less taught myself to knit from here, studying the pictures and going for help to my mom when things didn’t go right.  If you already knew the basics, you could start at a later chapter for new techniques, or jump straight into a more difficult project.  Rae Compton was the knitting consultant for the series, and while I don’t recognize any of the names in other areas, I expect they were all equally competent and qualified, judging by the thoroughness of the instructions.

    Goldenhands_3

    Many of the projects are more than a bit dated now, of course — macramé vests, ponchos the first time around — but the lace doilies, Shetland shawls, floral needlepoint handbags (with a chapter on mounting the needlepoint piece on a metal bag frame), ganseys, and such, are as timeless as they were in the 1970s.  Some of the knitting techniques are a bit dated, too — psso instead of the now more usual ssk, for instance — but nothing that would really hold you back.

    After the series was completed, they did one that went into more unusual crafts, like candle-making, millinery, costume-making, batik, some really interesting stuff, and then a monthly that as far as I know only went to two issues.  They also did a few paperback pattern collections, with new patterns, "All You Can Knit and Crochet For Women/Babies and Children/the Home," and so on. 

    Goldenhands_4

    I started with the garter stitch scarf, and not much later (in my early teens, perhaps) made a lovely doll dress and coat, and eventually at least three different baby blankets.  There was also a stunning bridal coat that I considered years later, and would have been high on my list if I’d been married in cooler weather than a California June.  In fact, I’m seeing quite a lot of things here that intrigue me now!….

    Goldenhands_2

  • Booking Through Thursday (a day late) wants to know if there are any reading resolutions out there for the New Year —

    1. Do you have a reading plan for the new year? Why or why not? I plan to read.  That’s about as specific as I can get!  I have a list of things that have intrigued me lately, from one source or another, but no "plan."  One of the reasons that I haven’t (yet) gotten into a reading club is that I’m more a spur-of-the-moment reader these days, both in schedule and subject.  I would like to develop a bit more self-discipline, though, so maybe a reading club, or some kind of plan at least, wouldn’t be a bad idea.
    2. If you do, what is it? In hand is The Annotated Anne of Green Gables — and other things I’m thinking about are Republic of Shade, by Thomas J. Campanella, John Kelly’s The Great Mortality, a history of the 14th-century Black Plague, Audrey Niffenegger’s The Time Traveler’s Wife, and Happiness: A History by Darrin M. McMahon.
  • Show and Tell this week  is of something we’ve made "or would like to" — not being a particularly crafty person, at least not like some of the amazingly productive bloggers out there, I had to think a lot about this.  The things that I make are usually either knitted, which have already been shown here, or eaten, like dinner, which can be creative but isn’t what you’d call "crafty."  And then I realized that the qualification would save me —

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    I have for umpteen years had a fascination for dollhouses, possibly inspired by Mary Norton’s The Borrowers series, and certainly by Queen Mary’s Doll House and Colleen Moore’s "Fairy Castle".  The dream to have one of my own has always been that, mostly a dream, until, after having two daughters, I thought about making a dollhouse for each of them.  A year or so ago, I bought a mousepad that looks like a Persian carpet, and looking at it every day made me remember my dream and start planning to make it a reality. 

    This year, Laura will be seven, a good age I think for a dollhouse of her own.  The book is The New Dolls’ House Do-It-Yourself Book by the picturesqely-named Venus Dodge, and it is open to the picture of the house we’ll build for Laura, David doing the shell and some furniture and I the painting and details of decoration.  My idea is to give her a fairly simple setting for each room — kitchen, living room, and bedroom — with plenty of space for adding things that she herself chooses.  And while the Queen Mary and Colleen Moore houses are wonderful, they are not the kind of thing that a child would really be allowed to play with, and so I want to make a house more like Tasha Tudor’s dollhouse, perhaps, or like something out of Beatrix Potter, that is more fantastical, not dependent on a particularly rigid scale or literalness.  Animals may end up living alongside people, who knows?

    Well, now that I’ve announced it, I’d better get started, hadn’t I!

  • What You Will

    Because today is Twelfth Night, here is a photo from one of my favorite Shakespeare plays, from the The Royal Shakespeare Company archives —

    12thnight_1983_rsc_small

    "Twelfth Night, 1983, directed by John Caird, designed by Robin Don. The photograph shows Sir Toby (John Thaw, left), Fabian (Stanley Page, background left) and Maria (Gemma Jones, right) mocking the deluded Malvolio (Emrys James, centre), Act 3 Scene 4."

  • Well, interest in a Pearl Buck Swing Jacket knitalong has been positively underwhelming!  I’ve noticed a rather wide gap between those who love the design and those who don’t.  One of the more disdainful comments seemed, though, to be directed as much at IK‘s choice of an Asian model for a Good Earth-inspired design, which in IK’s defense seems to be a no-win situation — either they are derided for having a white model wearing an Asian design, or they are accused of racism by "stereotyping" an Asian model.  That said, I think that the design itself — which is, after all, the important thing here — is lovely.  It’s one of those things that looks simple and difficult at the same time — perhaps that puts people off.  It’s certainly very restrained, despite the pleat in the back, not the in-your-face kind of thing that seems to be so popular these days.  Maybe that’s why it appeals to me so much. 

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    Subtle, yet chock-full of interesting details.  The box pleat with its interesting diamond detail, the half-diamonds edging the front opening, the back yoke worked side-to-side — well!  Not to mention the scrumptious Jaeger merino.

    I know that I won’t be able to start on this until after the Aran is finished, so it would be a month at least, maybe two.  But I’ve posted a link to here on the 2006 Knitalongs page at keeping me in stitches (a very handy list, by the way, for those in search of knitalongs) — if anyone does want to work on this project, post a comment here, and we’ll see how things go!

  • I worked a bit more on the hat-sized swatch, then blocked it.  (I have far too many times ended up with partial balls of yarn, or run out before a project is finished, to want to cut at the end of a swatch any more, as you can see.  Haven’t gotten into the habit of saving my swatches yet.)  The swatch stretched almost an inch when wet — two inches that would be, if flat instead of round! — but after a bit of prodding it went back to almost the same measurements as before, and the fabric firmed up nicely, so I’ll go with the larger needles.  This is an only slightly larger gauge than Elizabeth’s, and I do want to make a slightly larger cardigan, so it should be all right.

    Aran_swatch

    Here the swatch is folded off-center to show the cables.  (I forgot to cable on Row 2, so mine look a bit splatty at the beginning.)  I sat down for a bit of quality time with a pen and paper, and have worked out a pleasing arrangement of fishtraps and cables, and am ready to cast on.

    It’s a lovely bright day today, after the rainy weekend!