• 1907_small

    Our local public library has a collection of photographs of historical buildings in the city — they didn’t happen to have one of my street itself, but here is one of the houses on it.  This one was built in 1907, by, as it happens, the aunt of the family who lived in our own house.  Not much is left of the original houses, I’m afraid, due to the building frenzy of the late 1960s and early 1970s in the area and the fact that the lots are zoned for apartments.  I like this photo — it’s not particularly "vintage" itself, but I can dream about the way the street used to look, all tree-lined and bungalow-ish!

    "Show and Tell" your street.

  • I have spent most of the weekend outside, catching up on what I like to call gardening, but is really weeding.  The weather’s been perfect — rather cool, with sun off-and-on, nice for being outdoors.  No knitting, though, but apparently I’m not the only one!

    Beth writes, "Public mortification – I’m still swatching.  The first swatch was too large, of course I didn’t have the next size down needles. Couldn’t get to the yarn shop with all girls at home last week.  So ashamed! I hope to have something more interesting next week."

    Suse has had a busy week, although not intentionally — "I’ve finished a sleeve and am working away at the second.  However a trip to the hospital with a certain young man has waylaid me a tad and I haven’t picked it up for a few days now."

    I could also title this post, "Swing Jacket, Interrupted" —

    Pbsj_hedera

    Thought I should finish the second Hedera sock while it’s fresh in my mind.  I’m still avoiding making a decision about the Swing Jacket sleeves, though am fairly sure that I will resize them — it’s just a question of how much.

  • In honor of Shakespeare’s birthday today, here is perhaps the most famous yellow in the plays, from "Twelfth Night"

    Malvolio_sussexcountycommunitycollege

    Malvolio has just been suckered into a joke on him by Sir Toby Belch and his friends, who play into Malvolio’s delusions of grandeur by writing a letter supposedly from Malvolio’s employer, Olivia, saying that she is secretly in love with Malvolio, and wants him to wear yellow stockings "cross-gartered," to be rude to the servants, and to generally be even more pompous than he already is: "I will be proud, I will read politic authors, I will baffle Sir Toby, I will wash off gross acquaintance, I will be point-devise [i.e., down to the smallest detail] the very man. I do not now fool myself to let imagination jade me [i.e., make a fool of me]; for every reason excites to this, that my lady loves me. She did commend my yellow stockings of late, she did praise my leg being cross-garter’d; and in this she manifests herself to my love, and with a kind of injunction drives me to these habits of her liking. I thank my stars I am happy. I will be strange, stout [i.e., unfriendly and lordly], in yellow stockings, and cross-garter’d, even with the swiftness of putting on. Jove and my stars be praised!"  (II.v.136-145)  Even if you’ve never seen the play, you can probably guess how well this goes over with Olivia!

    The photo is from Sussex County (New Jersey) Community College.

  • I’ve been a bit quiet lately, at least on the blog — I’ve got that ennui that seems to creep around the blog world now and then.  Sometimes it seems to take an incredible amount of time from other things in my life, things that I should be doing and things that I want to do.  I’ve been busy with the girls and the garden these past few weeks — the recent rains have made the weeds spring up in the backyard with appalling speed — and I often find so very many beautiful things on others’ blogs that distract me from the things that I have already found beautiful enough to distract me from the previous beautiful things.

    Hedera1_2

    This is the first of a pair, the Hedera socks, blocking yesterday afternoon.  Eminently distracting.  I stopped reading blogs for a few days while I was knitting, putting on some metaphorical blinkers, conscious of the other projects waiting patiently on the needles, and then the other day I started reading blogs again and saw Nancy’s "Turning Twenty" quilt in progress, but no, no — I’m not going to start quilting! not until I get a few more things finished around here!  Even though it is incredibly lovely….

    So here I am, sensing a reorganization of my life on the horizon —

    Blackbird would like to see an outfit for Show and Tell this week.  I asked the girls to dress up a Barbie for me, and this is what they came up with, "Sparkle-fairy" and "Barbie-sanita" on the left and right dressed by Laura (who couldn’t limit herself to one), and "Theresa" in the middle, dressed by Julia.

    St

  • Booking Through Thursday‘s question for today was suggested by Mary — "Connect any six books in your library to each other by any way you want. One book will remind you of another because the author’s name is similar, a fictional character shows up in someone else’s book, another author is talked about by characters in a book, maybe the same friend recommended both books, or whatever. Books from a series count as one entry in your list."

    This question is a bit of a trip down Memory Lane — I find that it ranges from some of my earliest reading to the present, and the books likewise range in tone from light-hearted to deeply serious, and in setting from ancient history in exotic lands to 1940s America (not my own generation, but close enough to be familiar to me through my parents).  The bookshelf in my bedroom holds a selection of my most beloved favorites, and in order to keep the "six degrees" to a manageable post, I sat in front of this shelf to find my selections.

    Btt

    I started with The Lost Queen of Egypt by Lucile Morrison.  This is the first book that I bought with money that I earned myself.  I was twelve and had a job at a very small academic library, pasting pockets and bookplates.  I loved this book, which I had checked out from the public library innumerable times, and it was the start of a lifelong fascination with Ancient Egypt.  It has a very dated feel to it, at times, and the archaeological/historical theories have shifted considerably (for instance, Tutankhamun is now fairly widely accepted to have been a son of Akhenaten by a minor wife, and so Ankhesenamun, the heroine of this novel, would have been his half-sister), but the writing is very atmospheric, and I find that even though I haven’t read it in years, I can recall passages from it almost word for word — I can still almost feel the heat of the sun on my skin, the rocks of the Valley of Kings beneath fine leather sandals, the cool plash of water on my fingers.

    Next, On the Banks of Plum Creek by Laura Ingalls Wilder.  This series was I think the first books that I bought myself, with pocket money — this is how my mind made the first connection between The Lost Queen and Plum Creek, but I also spent long weeks absorbed in these stories, and lost myself quite thoroughly in their time and place.  I don’t know if my old-fashionedness was a result of reading these books so thoroughly, or if I was drawn to them because I am naturally a little old-fashioned, but there it is.

    Then There Were Five by Elizabeth Enright is like the Wilder books, in that I have read the Melendy Family series so often that I can still almost instantly recall passages and their place in the series.  Wonderful characters, adventure, wit and charm, family and a deep understanding of children ("and probably she was going to have a scar!"), satisfying conclusions — this series struck a rich chord with me, and still does.

    The Hobbit by J.R.R. Tolkien comes next.  I can’t quite put my finger on why my subconscious made this connection.  Perhaps it was the sheer eventfulness of its place in my life, that inner pantheon of one’s Great Books, those read over and over so often that they almost become a part of one.  The Hobbit of course leads to The Lord of the Rings series, the same world and a continuation of the main story, but loftier in themes and language.  I appreciated the effort put into the movies, but I must say that I was disappointed that so little of the poetry and music remained.  This is one of the few poems (any poetry, not just Tolkien’s) that I can recite from memory —

    "Gil-galad was an Elven king,
    Of him the harpers sadly sing,
    The last whose realm was fair and free,
    Between the mountains and the sea.
    His sword was long, his lance was keen,
    His shining helm afar was seen,
    The countless stars of heaven’s field
    Were mirrored in his silver shield.
    But long ago he rode away,
    And where he dwelleth, none can say.
    For into darkness fell his star,
    In Mordor, where the shadows are."

    Tolkien’s "high" language sparked the connection to The Heaven Tree Trilogy by Edith Pargeter.  I have read so far only the first novel in this trilogy, The Heaven Tree, but was fascinated by the wonderful writing and the mediaeval setting.  Pargeter also wrote as Ellis Peters, the creator of the Brother Cadfael series of mysteries, also a long-time favorite of mine (the books, not the television series), and a series of modern mysteries.

    And "modern mysteries" leads me to Three by Tey by Josephine Tey, an omnibus volume of three of Tey’s mysteries from the 1930s and 40s.  Daughter of Time was the first one I read (which is in the other volume, Four, Five and Six by Tey) — in which a convalescent detective ferrets out the mystery of whether or not Richard III killed the princes in the Tower.  I wasn’t sure if I agreed with Tey’s conclusion in that particular story, but I was delighted with her style, full of intelligence and wit, in all of her novels.

  • ,

    Thrills and Chills

    My heart nearly stopped when I came in from the backyard yesterday to see this on the kitchen table —

    Camera2

    David had decided that since the US$125 camera repair bill was only a few dollars less than a new camera would cost, he would just see if he could fix it himself.

    So he found a few websites — one in Russian, but apparently it was still helpful — and started in.  Perhaps a closer view will convey some of the full horror —

    Camera1

    The two sheets of white paper hold the various screws with notations as to their placement.  He was fairly methodical about it, although got a bit enthusiastic the further in he went and stopped writing everything down, but when it was down to the bare bones — circuit boards flapping pitifully — he said, "A-ha!" and the lens retracted smoothly once again.  He did get it all back together and then found the lens gasket left behind on the table, so he had to disassemble it again and redo it with the gasket — but in fact he finished before dinner time.

    "You could blog this," he said modestly.

    Does it work?  Well —

    Hedera1_1 

  • Yellow_knitting

    This is Laura’s knitting — she chose the color herself.  She still goes in spurts of interest, leaving it alone for months and then doing a whole row at once, but still, this is not bad for a barely-six-year-old, I think!  She is learning right-handed, too, because that’s the way I knit, and I was impressed at how easily she managed it "the wrong way around" (although of course I didn’t phrase it that way to her!).

  • Beth writes, "I’ve finally bought my yarn!  It’s Dalegarn Hauk in a pretty shade of olive.  I really wanted to buy some gorgeous Jo Sharp DK in a color called glade, but it was twice the price, couldn’t justify it.  I’m swatching right now and pretty pleased with the yarn – I hope to post a picture (at least of my yarn and swatch) soon."

    Suse writes, "I’ve finished the yoke, and am working my way steadily through the first sleeve.  No pics this week; I’ll try and do better next week."

    Bigsleeve

    As for me, I cast on for the first sleeve a while back, and after only a few rows wondered if I should make the sleeves narrower than written.  I am, I’m afraid, one of those people whose sleeves drag in whatever happens to be around to have sleeves dragged in.  (Is this a mommy thing? am I just more susceptible now that I have small children in the household who leave messes around for me to drag my sleeves in?)  The sleeves are much wider than they appear in the IK photographs, due to the way that the model is holding her arms.  The easiest way to do it is, of course, simply eliminate the sleeve shaping, by casting on the same number of stitches needed at the point where the sleeve cap shaping begins.  But would this alter too dramatically the lovely swinginess of the garment?  I’m still pondering ….

  • Good morning, all, and here we are with another Swing Jacket update!

    Anne says, "I am such a bad knit-a-longer. I have a swatch just about done :)" — I must add here (partly in my own defense, as well as Anne’s) that there is no such thing as "good" or "bad" here, just "focused" or "distracted"!

    Suse writes, "Hooray, my yarn arrived!  I chose 8ply pure wool, from Bendigo Woollen Mills, in Cranberry.  The colour is just delicious and I’m looking forward to getting properly started" —

    Swatch_small

    "I’ve swatched, not something I normally do (shock horror) and have decided to go up one needle size.  I’ll start with the yoke I think, for a gentle introduction."

    I myself have been distracted with current and upcoming birthday parties, and the whirl of gaiety that is a kindergartner’s social life.  I cast on for the first sleeve last Sunday, and there it sits yet —

    Newsleeve

    But perhaps I will find some mommy-time somewhere this week, and add another row or two!

  • New_novel_homer

    Winslow Homer, "The New Novel" (1877), Springfield Museum of Fine Arts, Massachusetts.  Well, it should be obvious why this is a favorite of mine!

    Carllarsson_thebridge

    Carl Larsson, "The Bridge" (1912), private collection, Finland.

    Leighton_flamingjune

    Frederic, Lord Leighton, "Flaming June" (ca. 1895), Museo de Arte de Ponce, Puerto Rico.

    Vangogh_stilllifevasewith12sunflowers_au

    Vincent van Gogh, "Still Life: Vase with Twelve Sunflowers" (August, 1888), Neue Pinakothek, Munich.  What would a collection of yellows and oranges be without van Gogh sunflowers?