• Booking Through Thursday writes, "We haven’t done anything like this for a while, so here goes…"

    1. What are the last five books that you finished reading? Parts one and two of The Heaven Tree Trilogy by Edith Pargeter — audio versions of Pride and Prejudice and Agatha Christie’s Death on the Nile — can’t think of a fifth, I’m afraid, having far too many things in the half-finished stack.
    2. How long did it take you to read them? I read The Heaven Tree and The Green Branch together in less than a week, amazingly enough — didn’t get anything else done — I listened to the audiobooks while knitting of an evening, and so took I think about four to six weeks here and there.
    3. Did you enjoy reading these books? Why or why not? I enjoyed all of these very much — Death on the Nile I wrote about a few weeks ago, and the Pride and Prejudice read by Irene Sutcliffe is equally brilliant in its way.  (Both of these are from Chivers, which is apparently now part of BBC Audiobooks, whose server seems to be on its tea break at the moment, so I can’t link.)  Sutcliffe’s characterizations are not as dramatically varied as Suchet’s, but then this is, I think, more appropriate to Austen anyway!  (I will write more about The Heaven Tree when I’ve finished the third book.)
  • A Rock

    St_2 

    "Show and Tell" this week wants to see a rock.  I got this one some years ago from my favorite boss, who went on a vacation one summer and collected a small bag’s worth of interesting rocks and pebbles for us in the Technical Services department.  I chose this one because of its interesting shape, that fit so well into the curve of my hand.  It is some kind of marble, and so I fondly imagine it from its once-cylindricalness to be the long-lost arm of some Grecian statue, perhaps even the Venus de Milo, broken off in the mists of antiquity, worn smooth by the sea, to be found by a librarian on a sandy beach in Mexico.

  • Swingjacket_637

    The Pearl Buck Swing Jacket is a wonderful design — simple and classic.  It comes together easily, and requires only a bit of care when blocking and piecing together to look very elegant.

    The Jaeger Extrafine Merino is beautifully soft on my skin.  The elderberry color is lovely, too, full of depth and drama — it looks rather more purple in some lights, but usually tends more towards the burgundy with purply-blue undertones.

    Swingjacket560_1

    (Julia, who is usually so camera-shy that she is pouting in all of her school pictures this year, decided that this time she did want her photo taken, and so she refused to move out of range, and in fact climbed into my lap for quite some time.)

    Swingjacket615

    The pleat at the back is the most unusual thing about this jacket, but the half-diamond edging at the front and the back yoke worked from side to side are also subtle but interesting details.

    Swingjacket522

    I made a minor adjustment to the length of the sleeves as follows: in the first decrease section (at the lower arm), instead of 11 plain rows between the decrease rows, I worked 13, giving a total of 14 rows for the shaping, worked 5 times altogether.  At the "continue even" section just before the beginning of the cap shaping, I worked 12 rows straight, and the piece measured 11 1/4 in. instead of 10 1/4 in. as given.  This kept the stitch count on the needle the same as in the instructions, but added about an inch to the length.  I could just as easily have worked an extra inch straight at that last section before the start of the cap shaping, but this would have made the bell-shape end lower down, and I wanted to extend it closer to the elbow.  (The bell-ness does not show much after blocking.)  If I’d thought about it ahead of time, I might have added an extra inch to the length of the body, so that the sleeve/body proportions would have been the same as in the original — as it is now, after I lengthened it, the sleeve is just a smidge shorter than the body, and would look a bit better if it was about two inches.  This is a minor quibble, though!

    Swingjacket_633_1

    It is also very comfortable, partly from the lovely merino, but also the shaping and fit.  Ten out of ten!

  • Beth writes, "Another crazy busy week – I’m only just finishing up the second sleeve.  Then on to the real business, I’m going to tackle the back."

    As for me, I finished knitting on Thursday night, and started sewing up on Friday!

    Prep_2

    I actually have not had much experience in putting together a fitted garment — in fact, I’m wondering if this is my first one — have done drop-shoulders before, and the raglan-like sleeves of the top-down style, but nothing like these beautifully rounded ones.  I was a bit apprehensive, and so I got out my old Vogue Knitting reference for reassurance.

    I found it much easier to sew in the sleeve cap before sewing up the sleeve and side seams, rather than sewing the sleeve and side seams first as the pattern says.  I speak from experience, having done the first sleeve cap first (the way that VK recommends), and the second cap after the straight seams just now — it was considerably less awkward doing that curved seam with the sleeve flat, so that I could hold the two pieces together more comfortably and smoothly.

    While I doubt that sewing up will ever be my favorite part of knitting a garment, I must admit that I am more interested in it than I ever was.  I took a great deal of pleasure in watching the way that the mattress stitches went from loose …

    Mattress3

    Mattress4

    Mattress5

    to snug with a single smooth pull on the working yarn.  (It’s almost like the way an invisible zipper pulls the two sides together.)  I did have a lot of trouble with matching the lengths, and frequently ended up with about half an inch more on one side at the end of a seam — on average, I think I did each seam three times — and so I started putting in markers to match up as I went along, usually four on each long seam, so that any extra length would be distributed more evenly.

    Matching1

    Matching2

    I also used a safety-pin version of Vogue‘s and Knitty’s marker method of picking up stitches along the curved neckline, dividing the length fairly evenly by 10 (for the 97 stitches — a.k.a. almost-100 — to be picked up).

    Pickingupcollar

    For those who, like me, are still fairly new to mattress stitch, I found myself dropping into this hypodermic position — oddly enough, it was quite natural, even though I have never actually inserted a hypodermic needle.  It felt much easier on my wrist than holding the needle in the usual manner, since I could aim and scoop up a stitch simply by moving my thumb, instead of my whole wrist.  It wasn’t always possible to do it like this, because of the way that some of the pieces fitted together, but it was helpful, and so I pass it along.

    Sewing

    I sewed in the twenty-seven ends — would have been twenty-nine, but I knitted in two of them along with the collar — last night while watching "Jericho" and "Rosemary & Thyme", two, er, rather disparate mystery series, the one grim and hard-boiled and the other a more typical English "cozy" mystery, light-hearted and not terribly demanding. 

    Pictures, as they say, to follow!

  • Ack! it’s the 17th of May already, and I’ve not even cracked open the Almanac for this month’s project!

    I’ve thought about it, any number of times, but last month’s blanket is not even a quarter of the way to being finished — Hedera, and the Swing Jacket, of course, and secret birthday projects coming up — and life in general.  You know how it is.  So, here’s the plan — the Mystery Blanket will plug along happily behind the scenes (I can crank out a square while watching a longish movie, but there are twenty-four of the bally things to do, you don’t need to see each one), as will the secret birthday projects, and I’ll do the Mittens for Next Winter now.  Luckily, this is a fairly modest project!

    But — deep breath, relax — "it is better," Elizabeth says, "not to make mittens in a hurry."  When you want them, "when snow flies and small frozen hands beg for warmth (sob)," the knitting gets rushed and perfunctory — so "let’s make them in May; let’s take our time over them; let’s venture into new approaches and designs; let’s enjoy them"!

    I had been tempted before, when considering this Almanac project, by the lovely Norwegian mittens, with the big eight-pointed star on the back of the hand — but I think I will be realistic, and plump for the single-colored ones "gingered up" with mitered shaping.  On this scale, perhaps, color work would not take much extra time, but there is a deadline, after all, if only a modest and self-imposed one!  I have in fact never knit mittens before, so either would do quite nicely.

    8plycrepe_1558

    I’m thinking about the Cleckheaton 8-Ply Crepe which I bought last summer at Mui Tong Wools ….

  • We have a new face in the knitalong this week, Bec of Glamorouse, who writes, "I’m feeling a bit of a fraud that I’m yet to cast on, but somebody has to be last, right?  My last hurdle is that I’m still waiting on my Bendigo Wool Mills colour card to get yarn (Suse’s recommendation and I trust her completely on this one!) but I have the needles, I have the pattern, and I’m returning to my normal job today after three months of an extra-demanding project so hopefully I now also have the TIME to knit!"

    As for me, well, I didn’t think I had the time this week either, since my choir had not one but two performances of Mozart’s Mass in c minor, involving numerous trips both "home" and "away" for rehearsals, and the concerts this weekend.  This was more than a bit of bother, but on the other hand I had Mozart in my head all week, and that can’t be bad. 

    Now, I can’t make any particularly educated statements about the Mozart effect one way or the other — but I wouldn’t be surprised if this time it was just the adrenalin —

    Blocking2

    as I finished both of the sleeves this week, and everything is blocking.

    Pass the Chibi!

  • Happy Mother’s Day

    Md_l

  • A T-Shirt

    Jamesdean_vintageskivvies

    Blackbird wants to see a t-shirt for Show and Tell this week.

    Now, James Dean is not really "my type" (whatever that is), but he sure had something.

  • Vanessabell_selfportrait

    Vanessa Bell, "Self-Portrait" (ca. 1959), Charleston Trust, England. A spare and unstinting self-portrait by a fascinating woman.

    Johnwilliamwaterhouse_miranda

    John William Waterhouse, "Miranda (The Tempest)" (1916), private collection, London.  I have a soft spot for scenes from Shakespeare, of course, and so this fits in here very well.  "A brave vessel, / Who had, no doubt, some noble creature in her, / Dashed all to pieces.  Oh, the cry did knock / Against my very heart!"  (The Tempest, I.ii.6-9)

    Tomroberts_quietstreamheidelberg_c1885

    Tom Roberts, "Quiet Stream, Heidelberg" (ca. 1885), private collection.  Roberts’ landscapes are my favorite of his works, filled as they are with that wonderful Australian light and a deep love of the countryside.

    Carllarsson_suzanneinthewoods

    Carl Larsson, "Suzanne in the Woods".  This piece is unlike Larsson’s usual rather idyllic watercolors, but I love the greenness of the grass and trees.

    Annaancher_tulipaner_1

    Anna Ancher, "Tulips in a Green Vase" (1919).