• The first part of Benjamin Britten's "Ceremony of Carols," performed by the Antioch Chamber Ensemble.

    The texts:

    1. Procession

    Hodie Christus natus est:
    hodie Salvator apparuit:
    hodie in terra canunt angeli:
    laetantur archangeli:
    hodie exsultant justi dicentes:
    Gloria in excelsis Deo.
    Alleluia! Alleluia! Alleluia!

    2. Wolcum Yole!

    Wolcum, Wolcum, Wolcum be thou hevenè king,
    Wolcum Yole! Wolcum, born in one morning,
    Wolcum for whom we sall sing!
    Wolcum be ye, Stevene and Jon,
    Wolcum, Innocentes every one,
    Wolcum, Thomas marter one,
    Wolcum be ye, good Newe Yere,
    Wolcum, Twelfthe Day both in fere,
    Wolcum, seintes lefe and dere,
    Wolcum Yole, Wolcum Yole, Wolcum!
    Candelmesse, Quene of bliss,
    Wolcum bothe to more and lesse.
    Wolcum, Wolcum, Wolcum be ye that are here,
    Wolcum Yole, Wolcum alle and make good cheer,
    Wolcum alle another yere, Wolcum Yole, Wolcum!

    3. There is No Rose

    There is no rose of such vertu as is the rose that bare Jesu.
    Alleluia, alleluia.
    For in this rose conteinèd was heaven and earth in litel space,
    Res miranda, res miranda.
    By that rose we may well see there be one God in persons three,
    Pares forma, pares forma,
    The aungels sungen the shepherds to:
    Gloria in excelsis,
    gloria in excelsis Deo.
    Gaudeamus, gaudeamus.
    Leave we all this werldly mirth, and follow we this joyful birth.
    Transeamus, transeamus, transeamus.
    Alleluia, res miranda, pares forma, gaudeamus,
    Transeamus, transeamus, transeamus.

    4. That Yongë Childe

    That yongë child when it gan weep with song she lulled him asleep:
    That was so sweet a melody it passèd alle minstrelsy.
    The nightingalë sang also: Her song is hoarse and nought thereto:
    Whoso attendeth to her song and leaveth the first then doth he wrong.

    5. Balulalow

    O my deare hert, young Jesu sweit, Prepare thy creddil in my spreit,
    And I sall rock thee to my hert, And never mair from thee depart.
    But I sall praise thee evermoir With sanges sweit unto thy gloir;
    The knees of my hert sall I bow, And sing that richt Balulalow.

    6. As Dew in Aprille

    I sing of a maiden that is makèles:
    King of all kings to her son she ches
    He came also stille there his moder was,
    As dew in Aprille that falleth on the grass.
    He came also stille to his moder's bour,
    As dew in Aprille that falleth on the flour.
    He came also stille there his moder lay,
    As dew in Aprille that falleth on the spray.
    Moder and mayden was never none but she:
    Well may such a lady Goddes moder be.

    7. This Little Babe

    This little Babe so few days old, is come to rifle Satan's fold;
    All hell doth at his presence quake, though he himself for cold do shake;
    For in this weak unarmed wise the gates of hell he will surprise.
    With tears he fights and wins the field, His naked breast stands for a shield;
    His battering shot are babish cries, His arrows looks of weeping eyes,
    His martial ensigns Cold and Need, and feeble Flesh his warrior's steed.
    His camp is pitched in a stall, His bulwark but a broken wall;
    The crib his trench, haystalks his stakes; of shepherds he his muster makes;
    And thus, as sure his foe to wound, the angels' trumps alarum sound.
    My soul, with Christ join thou in fight; stick to the tents that he hath pight.
    Within his crib is surest ward; this little Babe will be thy guard.
    If thou wilt foil thy foes with joy, then flit not from this heavenly Boy.

  • Es ist ein Ros entsprungen" performed by Ensemble DEUM.

    Es ist ein Ros entsprungen,
    Aus einer Wurzel zart,
    Als uns die Alten sungen,
    Von Jesse war die Art
    Und hat ein Blümlein bracht
    Mitten im kalten Winter,
    Wohl zu der halben Nacht.

    Das Röslein, das ich meine,
    Davon Jesaia sagt,
    Ist Maria die reine
    Die uns das Blümlein bracht.
    Aus Gottes ew'gem Rat
    Hat sie ein Kind geboren
    Welches uns selig macht.

     

  • "The Coventry Carol" performed by Collegium Vocale Gent, conducted by Peter Dijkstra, performed in the Begijnhofkerk, Sint-Truiden, Flanders, Belgium.

    Lully lulla, thow littell tine child,
    By, by, lully lullay, thow littell tyne child,
    By, by, lully lullay!

    O sisters too, how may we do
    For to preserve this day
    This pore yongling, for whom we do singe
    By, by, lully, lullay?

    Herod the king, in his raging,
    Chargid he hath this day
    His men of might in his owne sight
    All yonge children to slay.

    That wo is me, pore child, for thee,
    And ever morne and may
    For thi parting neither say nor singe,
    By, by, lully, lullay.

    Lully lulla, thow littell tine child,
    By, by, lully lullay, thow littell tyne child,
    By, by, lully lullay!

  • "Still, Still, Still" sung by the Kammerchor Löbau.

    The words for this version:

    Still, still, still,
    Weil's Kindlein schlafen will!
    Maria tut dich niedersingen
    Ihre treues Herz darbringen.
    Still, still, still,
    Weil's Kindlein schlafen will.

    Schlaf, schlaf, schlaf,
    Mein liebes Kindlein, schlaf!
    Die Engel tun schön jubilieren,
    Bei dem Kripplein musizieren.
    Schlaf, schlaf, schlaf,
    Mein liebes Kindlein, schlaf!

    Groß, groß, groß,
    Die Lieb' ist übergroß.
    Gott hat den Himmelsthron verlassen
    Und muß reisen auf der Straßen.
    Groß, groß, groß,
    Die Lieb' ist übergroß.

  • "The First Nowell" performed by Chorale Bel Canto, Whittier, California.

    The first Nowell the angel did say
    Was to certain poor shepherds in fields as they lay;
    In fields where they lay, keeping their sheep,
    On a cold winter's night that was so deep:
    Nowell, Nowell, Nowell, Nowell,
    Born is the King of Israel.

    They lookèd up and saw a star,
    Shining in the east, beyond them far:
    And to the earth it gave great light,
    And so it continued both day and night:
    Nowell, Nowell, Nowell, Nowell,
    Born is the King of Israel.


    And by the light of that same star,

    Three Wise Men came from country far;
    To seek for a King was their intent,
    And to follow the star whersoever it went:

    Nowell, Nowell, Nowell, Nowell,

    Born is the King of Israel.

    Then let us all with one accord
    Sing praises to our heavenly Lord
    That hath made heaven and earth of nought,
    And with his blood mankind hath bought:
    Nowell, Nowell, Nowell, Nowell,

    Born is the King of Israel.

  • "The Holly and the Ivy" performed by King's College Choir, Cambridge.

    The holly and the ivy, when they are both well grown,
    Of all the trees that are in the wood, the holly bears the crown.

    Oh, the rising of the sun and the running of the deer,
    The playing of the merry organ, sweet singing in the choir.

    The holly bears a blossom as white as lily flower,
    And Mary bore sweet Jesus Christ to be our sweet saviour.

    The holly bears a berry as red as any blood,
    And Mary bore sweet Jesus Christ to do poor sinners good.

    The holly bears a prickle as sharp as any thorn,
    And Mary bore sweet Jesus Christ on Christmas Day in the morn.

    The holly bears a bark as bitter as any gall,
    And Mary bore sweet Jesus Christ for to redeem us all.

  • From the cool folks at Scout Regalia here in Echo Park.

  • Fashion plate 1810
    A Parisian fashion plate from 1810.  The caption, Google Translate assures me, reads, "Bonnet trimmed with tulle. Fichu on the shoulders." It looks as though there is a kind of overlayer of tulle on her cap, or perhaps it is just around the edges — interesting.

    Those are some massive knitting needles — and she looks pretty smug about it, too!  A blanket, I wonder?  What else could it be at that scale?

  • IMG_3221

    Zombie Barbie Cake.

    Julia got a flyer in her weekly announcements envelope a month or so ago, and said, "Oh, I want to decorate a cake for the Harvest Festival competition!"  The theme this year is "Monsters," so I said, "What about one of those Barbie cakes, but make her a zombie?" 

    I baked the cakes and assembled them, using a batch and a half of Martha Stewart's One-Bowl Chocolate Cake, with two batches of her Swiss meringue buttercream, most of that its natural color and some colored with black or brown decorating gel, and bits of torn white fondant.  The flowers are done with bought frosting tubes.  Julia did most of the decorating, with kibbitzing and a bit of help from me and a little more help from Laura, who couldn't resist the dripping blood.

    3223 small

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    Barbie's eyes are blanked out with white decorating gel; the blood is red gel, and the grime is cocoa powder.  Her bodice is first aid gauze.

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    To be honest, I was tempted to title this post "How to Ruin Multiple Batches of Swiss Meringue Buttercream", but that was too depressing.  The first time I made it, for Julia's first birthday, it came together absolutely perfectly, but this afternoon I made a number of stupid mistakes, exacerbated by desperation as the clock ticked away. 

    Here are my tips, then:

    Don't rush.  The sugar really does need to be fully dissolved, the meringue mixture does need to be beaten thoroughly, it does need to cool down before you start adding the butter, etc.

    Make sure you've copied all the steps in the recipe.  Enough said, I think.

    You can warm the butter up in the microwave, but, yeah, be sure not to enter 10 minutes instead of 1.  (Bangs head against microwave door.)  Seriously, though, you don't want the butter too warm, or it doesn't incorporate properly.  It should be softened but not warm, certainly no where near melting.

    Some people use the mixer bowl for both the bain marie part and the beating part, which is certainly convenient but I suspect that this was one of my problems, and so the cough–third–time around I used a big Pyrex mixing bowl, and after the sugar was dissolved, I emptied it into the mixer bowl.  I think that the stainless steel mixer bowl took too long to cool down; that's my theory, anyway, and I'm sticking with it.  An added benefit to this method was that the Pyrex bowl was much wider and shallower than my KitchenAid mixer's bowl, so that the sugar dissolved more quickly and didn't get really hot.

    The mixture does need to be quite cool before you start adding the butter; otherwise the butter will simply melt, and the buttercream will never set.

    Be patient.  It takes almost until the very last few tablespoons of butter before it starts to look like frosting instead of glop.  (It actually seems to curdle at this point, and you think "oh no!" but this is absolutely right, so don't panic.  Changing from the whisk to the paddle attachment smooths out the mixture wonderfully.)

    If it really doesn't turn, put the mixture in the fridge for about 15 minutes, then beat a few minutes more.  Try adding a few more tablespoons of butter.  I'll keep my fingers crossed for you.

     Rosie at Sweetapolita has done a lovely tutorial with lots of photos, very calming, and with some other advice on what you can try if it doesn't work.

  • Li-national-ballet-alice

    We went to see the ballet of "Alice's Adventures in Wonderland" done by the National Ballet of Canada, at the Music Center yesterday afternoon.  It was absolutely fabulous, and I highly recommend it.

    La-et-cm-ballet-review-alices-adventures-in-wo-002

    There had been a couple of preview articles about the production in the Sunday Los Angeles Times recently, and it sounded so clever and charming that I thought, "right!" — something for everyone, with ballet and humor and technical derring-do.  We splurged, so that instead of the nose-bleed section we were in the heart-attack section of the Dorothy Chandler, but it was worth it, since there was so much to see that we surely would have missed much up in the balconies. 

    Ca.1009.alice.134.jpg-20121010

    And there was a great lot to see.  This might be my only complaint, if you can call it that, that you might have to see it four or five times to find everything going on in some of the scenes!

    La-et-cm-ballet-review-alices-adventures-in-wo-001

    It was all just really satisfyingly clever, bits of Balanchine and Busby Berkeley, much gnashing of scenery, laugh-out-loud choreography (Alice getting stuck in the tiny doorway, for one), inspired costumes and sets, with a great deal of wit and good spirit shining through the whole thing.  Absolutely fantastic!

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