• 6294

    I started the Mora mittens on Wednesday — it's slow-going, this two-end knitting, and the Mora Z-ply wool is rather a different beast from S-ply.  I expected the two-end process to require regular untwisting, which it does (I usually do this twice every round), but each strand is also untwisting itself as I knit, which means that quite often, it isn't really a "two-ply" yarn but "two plies lying next to each other", which makes it worm up on itself.

    Then I was knitting blithely on, thinking I'm getting the hang of it and feeling pleased with myself, as one does, when I realized, looking at the gusset edging, that the purl stitches didn't stand out nearly as much as I expected them to.  I kept going for a few rounds thinking it might get better, but it didn't, so I looked at the instructions more closely — you can see where this is going, I expect — and discovered that I thought I knew how to make a purl stitch, but for the two-ended version, you don't just bring the yarn round to the front, purl, then take the yarn back, you have to bring it round a stitch earlier then take it back a stitch later, which gives you that little swoop on either side.  So I ripped the mitten back an inch or so — although not far enough, as it turns out, since you can see at the bottom part of the gusset edging in the photo above that it looks a little uncertain just there.  It was a real bother ripping it out, because of course you work from a center-pull ball, and you can't just shove the center strand back in — so I used a tip I'd seen somewhere, and stuck a spare double-pointed needle across the entry-point for the center strand, and butterflied both strands around that using the needle as a sort of cleat.

    This morning when I looked at it in a rare patch of brilliant sunshine, I realized that, yes, the hook stitches I'd done earlier, around the cuff, were exactly the same — viz., wrong.

    6290

    See? they should all have that little swoop, similar to the chain path just above.  So I'm waiting a little this morning to make up my mind whether to rip it back to the beginning of the damask pattern and use the cleat trick to avoid rewinding, or just take the whole thing out completely and rewind the ball properly.  The first option might be more trouble than it's worth, but would (at least today) keep me from feeling like I've wasted all this time, but the second option would, in addition to having a properly-wound center-pull ball, also give me the opportunity to try and smooth out some tension blobs here and here.

    On the bright side, I'm very happy with the cast-on, now that I've figured it out, wh. I must admit took some doing.  I will post some step-by-step pictures when I get to that point later.  It looks remarkably like the cast-on edge on the half-mittens in the Nordiska Museet, so that's a good sign!

    6292

    NM.0023981A-B cropped

  • Red and White

    6272

    6261

    The Mora mittens have a cast-on detail in red wool, so yesterday I wound off about 20 yards of the wool and dyed it with a packet of Black Cherry Kool-Aid.  I admit that I was hoping it would have a little more purple in the red, but the result is still a beautiful, intense color, and will look very handsome against the white mittens.

    I've put a new album in the side-bar to keep a record of my dyeing experiments — I must say, it's quite fun, watching the wool change, and it was so interesting that I got out a bit of leftover crewel wool and did a "kettle-dye" experiment with a packet of Lemonade …

  • NM.0001043A-B

    The description of this lovely pair of twined-knitted mittens says that they were given to the museum by a Dr. Hazelius in 1873, who "got them many years ago from a Mora girl" — a Morakulla, which is the same word used to describe many of the young women in Anders Zorn's paintings, as well as this one by Emelie von Walterstorff —

    NM.0191807

    Ever since my first steps in two-end knitting, I've been dreaming about the Mora wool from Nancy Bush at The Wooly West, and so with my Christmas money I splurged on two skeins. This is Swedish Z-ply wool — apparently especially suited to two-end knitting because of the way the twist lies — so I'm looking forward to making Nancy's pattern from the Winter 2010 issue of "Knitting Traditions", with enough left over for the Ormsta wristwarmers!

    6255

    NM.0070938A-B

    Plain mittens in sheep's wool (fårull), from the village of Vinäs in Mora parish.  This well-used pair was acquired by the museum in 1891.  (I wonder what the hook-and-eye are for …?)

    NM.0023981A-B

    The museum gives surprisingly little information about this pair in beautiful condition, except that they were acquired in 1879 as part of an ethnographic collection.  These are halvvantar, half-mittens.

    NM.0020256A-B

    This elegant pair of Mora vantar were given to the museum in 1877 by the committee for Sweden's participation in the World Exposition — it doesn't specify which one, but I'm assuming the one in Philadelphia the year before.

    NM.0120945A-K

    Clearly two-end-knitted, but wildly different from the others.  According to a post by Lars ("Baritono") of Lappone, this kind of mitten was probably knitted to sell as souvenirs.  (I think that not only because the Dalarna region, having kept their traditional costumes as everyday wear longer than most Swedish regions, was especially picturesque, but also because of Carl Larsson, Dalarna was particularly popular with tourists.)

    These images of Mora vantar — mittens from Mora parish in Dalarna — are all from DigitaltMuseum.se.

  • 6087

    I realized around late-mid-December that I wasn't going to have this ready by Christmas after all, and so I slowed down knitting, and then I got sick after Christmas, so it wasn't going to be done by New Year's either.  I picked it up again a week or so ago, knitted steadily, and it seemed somehow as though the balls of wool were getting smaller and smaller, but the blanket wasn't getting any bigger.  How can that be?

    And then I thought yesterday afternoon, "Uh-oh, it isn't my imagination.  This isn't going to make it."  It didn't.  After taking this photo, I got to the end of one ball, about thirty rows short — all of the border and a bit of the main pattern. Blast it — this was by weight!  I knitted until a little over half of the advertised 226g was left, so it should have worked, or at the very least gotten a lot closer than this.

    (And, no, it isn't just the perspective, that ball in front really is considerably bigger than the other one.)

  • 6070

    I found a local miniatures group, and went to my first meeting last night.  I've noticed that the brick-and-mortar shops I went to when making No.16 — goodness, almost ten years ago! — are all gone now, so there are even fewer places to go for hands-on advice and help, so I thought I should set about making enquiries.  This group is very welcoming and friendly, so I'm looking forward to it.

    One of the regular activities is a door-prize table, where the previous winners bring something to the next meeting, and I was one of the evening's winners, as it happened, so I am on the hook for an item for next month's meeting.  The very-casual rules were "under five dollars, no kits — well, and no junk"! so as I walked home afterwards I wondered what I might make, since I didn't want to buy something.  I've been pondering miniature knitting anyway, having bags and bags of Paternayan wool left over from my three-times-too-much purchase for the Shirvan carpet, and then I remembered one of the books I've got, Venus Dodge's Dolls House Needlecrafts, and its chapter on miniature knitting.

    After poring over it the rest of the evening, I decided on the scarf set — scarf, hat, and mittens (thumb-less, but you barely notice at this scale) — and this morning I got out the crewel wool and my 000 needles, but upon getting towards the tip of the mitten, decided that the scale was really just too big, and anyway the Paternayan comes in pre-cut strands, which are just not long enough for the mitten, so would definitely have to be spliced for the hat and scarf, and most importantly, it just looked wonky.  Then I remembered the bag of Woolike from Michaels I stocked up on in a daze at their having anything finer than worsted.  (Superfine! at Michaels! even though it is acrylic — superfine!)  And this turned out to work very well indeed!  Being extraordinarily squishy, I could use those 000s and the knitting looked great, very even and tidy, and as small as I could manage at this point in time.

    6059

    The mittens are knitted flat, turned right-sides-together, and sewn up.  Yes, I thought about working them in the round, but 12 sts on 000 needles … not just yet.  I don't know now why mattress stitch — which I tried and picked out — didn't seem to work on this, but it didn't.  Maybe the two edges didn't fold themselves under the right way?  I would recommend, by the way, leaving a longish tail at the cast-on, and using that to sew up to the tip, instead of coming down the seam with the bind-off end, so that a) you don't inadvertently misalign the bottom edge (cough), and b) you don't have to weave in the ends of yarn, since they can lie invisibly inside the mitten with no-one the wiser.

    6060

    I made the scarf next, such a simple piece of knitting that I entirely forgot to take a picture of it, thinking about working the hat in the round …

    Which I did, and because it was 30 sts instead of 12, it was certainly more suited to that.  I actually used 28 sts, since I didn't need a seam allowance. 

    6062

    It didn't seem like a real hat without a jolly pompom, but I couldn't see myself just gluing one on, as the instructions have it, so with almost no effort at all I found a half-dozen tutorials online about making "miniature" pompoms using a fork.  Most of these are just "really small" pompoms, not dollhouse-sized, so I dug out an old child's tableware set I've got, for as small a pompom as possible. 

    (Look at those sharp tines!  Those were the days!)

    This is actually the second attempt — the first, with forty wraps, was too sparse and too loose, and the threads just slipped out.  I tied the knot as tightly as I dared, but didn't want to risk the yarn breaking, so for the second attempt I not only made sixty wraps, but also used a length of sturdy buttonhole twist in addition to the length of yarn (which I kept for attaching the pompom later).

    6065

    I realized in hindsight that it probably doesn't matter how big or small the fork is, since you can trim the resulting pompom as much or as little as you like, but there it is. 

    6068

    I wasn't at all sure that I could trim the ends of an acrylic yarn closely without it slipping out of place, so I've just left them like this, with secure knots.  The color of the twist was intentional, to be honest, so that I could see it!

    6076

    But these helped too.  ("They come in fives?  I'm getting some –")

    6072

    So here is the full set, worked up in just a few hours, even with some false starts and cups of tea.  The scale is a little big, I know, but it fits the brief! and I'm actually quite pleased with them.  I left the fringes long and the pompom large so that the new owner can trim them to her liking.

    Hurray!

    6075

  • ,

    Aprons, Aprons

    5991

    I made two more of these aprons from my grandma's pattern, one for my sister and one for my cousin.

    5993

    My sister wears mostly black, so when I saw this black-and-white floral fabric, I knew it was the one.  Unfortunately, it was either not even close to 44" wide or it shrank a lot, so it wasn't nearly wide enough when it came to cutting, and so I ended up making it a little shorter in order to have some fabric to add to the circumference.  Cross-grain, too, but it couldn't be helped.  Luckily for me, the pattern is so busy that you can barely see the piecing!

    5994

    I put the bias edging all of the way around the pockets on this version.  Not entirely successful, but that was my fault, I'm pretty sure, besides being black thread on black fabric!

    (These photos aren't great, but I was on my way to wrapping up the aprons when I realized I hadn't taken photos yet, and the sky was so dark with rainclouds that the only place I could get enough light was right in front of the open front door — and then it got even darker, and I had to move to the front porch!  There was no way I was going to complain about it raining, believe you me.)

    5996

    This one is reversible, with two bright Kaffe Fassett fabrics ("Antwerp Flowers" and "Winter Strata").  I bought an extra half-yard of the stripes so that I could lay the pattern cross-wise and have the stripes going up-and-down.

    5998

    I debated with myself for a long time about whether to mix the fabrics for the pockets, and in the end I decided, yes, to put the flowers on the stripes and vice versa.  Since I had extra striped fabric, I made those pockets a little bit bigger and squared-off, too, just for variety.

    The button(s) perforce have to be on both sides, which necessitates two shanked buttons in the same spot, but I didn't really see any way around this, so I hope it won't be awkward.  Maybe the fabrics will make up for that!

    5999

    6000

  • Merry Christmas

    5982

    Making cranberry sauce (with lime and ginger, yum!) a few days ahead.

    5983

    Decorating the front door with gleaned greenery.

    6082

    A new holiday table setting, with a red tablecloth and white pompom fringe.

    5988

    A reindeer we got a few years ago from our favorite tree lot. I don't usually succumb, but this one has such a wonderful expression.

    6027

    Gingerbread hobbit hole, with acknowledgements to the anonymous baker who made the original I got most of the ideas from, and whose photo has been copied and recopied on Pinterest without acknowledgement.

    6044

    Two week's worth of to-do lists — twelve people to Christmas dinner!

    6041

    "Souche" de Noël — yes, Christmas Stump Cake!  Another idea pinched — did I mention twelve people to Christmas dinner?! — this one from an article in "Sunset" magazine's December issue, featuring Ashley Muir Bruhn of "Hither and Thither" and her version of the classic Christmas cake.  The faux-meringue mushrooms are a delight, too — marshmallows cut in half on the diagonal, with a rolled-cookie "stem", dusted with cocoa powder, easy-peasy.  My cake is a favorite butter cake, which is even better a day or two after baking — did I mention twelve people to Christmas dinner?!

    6022

    And then some lovely peace and quiet, sitting beside the Christmas tree.

  • 5979

    I reached the halfway point of the wool, by weight, the other day.  I had already decided, because, really, there is a little too much for me to do this week to devote enough time to knitting to finish the blanket by Christmas — but this was really only a sort of over-achiever's goal, so I'm not particularly disappointed.  The house will be clean and ready for the next round of parties over New Year's — which are potluck! — and I will therefore have lots of time to just sit and enjoy the knitting!

    (I know, I know, "bisect" implies cutting or dividing, neither of which I'm literally doing here, of course, but there aren't many synonyms for "halfway" that begin with "b"!  "Bifurcate"?  "Betwixt"?)

  • 5901

    Well, I'm not going to get over-confident here, but this thing's going at a cracking pace so far!

    The two center sections are now exactly the same height as width, so it is decision time — I will obviously have more yarn than what would make four perfect squares, because out of a 226g ball I have used only 56 (!!) to this point, at which in the pattern the stockinette is reversed, the knit side switching to purls and the purl side to knits.

    So should I make rectangles instead of squares, and just keep going to the halfway point of the yarn (which I would be able to estimate by the weight of a remaining ball), or start again and make it wider …