• Window

    Window_2

    Sarah Louise, via Blackbird, wishes to see windows for "Show and Tell" this week — here is one of mine.  Our little house is in dire need of a coat of paint, and things look rather shabby, I’m afraid, so I won’t show the outsides just yet.  This is part of the window in our living room, a fairly typical bungalow arrangement of two tall double-hung windows flanking a rather large picture window.  Apparently this is the original 1929 varnish, and I’m quite impressed that nobody has ever painted it over.  When Laura was a baby, there was a new apartment building going up directly across the street, and she used to sit there in front of the open window, for hours it seemed, and watch the comings and goings of the construction crews.  It seems to have been a favorite spot for babies over the years, as hers were not the first teeth marks on that ledge!

  • I finally finished Pam Allen’s Ribbed Shrug from the Summer 2005 Interweave Knits (and also here).  It’s an easy knit — I think I did the bind-off about a month ago — but I let myself get repeatedly distracted, and I admit that I put off sewing it up, too.

    I used the yarn called for in the pattern, Patons Katrina, in black (which I had to special-order from Jo-Ann’s).  I would never have chosen this yarn for myself, but it seems quite well-suited to the pattern.  It has a curious rubberiness to it, and it thwacked most satisfyingly when the knitted piece fell into my lap.  I spent a happy minute dropping it over and over until I realized that the sound reminded me of an empty hot water bottle.

    Shrug_ruffle

    It does hide a multitude of sins, though, and apparently most vagaries of tension are simply swept away in its elasticity.  The K1, P1 rib makes a dense, firm fabric here but the rayon gives it a lot of stretch, and it drapes very prettily.  I hadn’t realized from the photo in the magazine that the yarn has quite a bit of shimmer to it, as well.  I never did get the gauge specified in the pattern, even down three needle sizes, but the stretchiness of the rib and the yarn itself seem to pull it in enough.  It looks quite elegant on Laura’s ballet teacher, who is much slimmer than I am!

    Shrug_1

    I added an extra two rows in the ruffle, as I thought the six of the pattern seemed a bit stingy.  The yarn is very splitty, and ravelled mercilessly at the joins — I ended up tying the woven-in ends with a bit of sewing thread in hopes of keeping them relatively secure!

  • Apologies for missing last week’s knitalong update — too much chaos in the house to even think about knitting, let alone write about it!  But we’re getting back to normal, and after an exciting weekend in which Laura seemed to pack the whole five or so days of viral gastroenteritis into less than 36 hours, both girls have been pronounced healthy at last, and sent off to school with shining morning faces.

    So here are some Project Spectrum pinks from my garden to refresh myself,

    Pinkcamellia_1 Souvenirdelamalmaison_1

    Duchessdebrabant_1 Jasmine_1 

    an anonymous camellia, blooms of "Souvenir de la Malmaison" and "Duchesse de Brabant" roses, and a bit of the pink jasmine (J. polyanthum) near the breakfast room window.

    Ola writes, "I have finished my jacket after about 6 weeks (there was a lot of teaching work too in this time). I’m really pleased with the final result. I used Rowanspun DK, in a lovely light green colour (Catkin), but unfortunately the tweedy way masks some of the cables on the front. (I used six skeins. After doing the calculations for subsitution, I ordered 7. But I only needed 6 for the knitting and sew up.)  The only alteration I made was to fix the pleat into place with some small stiches in several places along its length" — and she is so impressed with the experience that she want to make Kate Gilbert’s Union Square Market pullover next!  Ola is blogless, so perhaps we can persuade her to send a photo?

    Shelagh is still waiting for her yarn to arrive — "it’s been a month…sigh."

    Theresa writes, "I’m getting close to a picture.  I just attached the fronts to the back and am getting ready to pick up stitches for the collar."  She gives lots more construction details on her blog — thank you!

    Like Theresa, I find myself taking extra care with the knitting and blocking of this jacket.  I finished the right front last week, and blocked it to quite precise measurements.  It seems somehow to deserve more than a slapdash straightening-out —

    Pbsj_rs

    I cast on for the left front last night, and got to the end of the first half-triangle, humming softly to myself after the girls went to sleep.  Happy mommy!

  • We’ve been a bit preoccupied around here lately, due to the generosity of schoolchildren in the area sharing the stomach flu among their classmates!  Julia’s had the worst of it, poor lamb, and is still not well after most of the week, but at least she actually wants to eat, today.  (By the way, grape-flavored Pedialyte stains.)  I sat with Julia after lunch today and watched "Sesame Street" while I darned in the ends of my March "Knitter’s Almanac" project, which in more ambitious hands would have been a Difficult Sweater (Not Really), also known as a Chainmail or Trellis sweater, but for me is a tidy little hot water bottle cover.

    Marchez

    (The wools were all unlabeled, except for the light gray, which was a fairly ancient Chat Botté — some of the others may have been Anny Blatt, but I can’t say for certain.  The piece is approximately 7.5 in./19 cm by 11 in./28 cm, and about 28 sts per 4 in./10 cm, blocked to fit.)

    Here is a close-up of the Trellis stitch —

    Trellis_stitch

    Like apparently many other knitters (some of whom commented here at the beginning of the month), I did not find this pattern particularly appealing at first.  I will say now, though, that color choice can make the world of difference.  I don’t love it yet, but I don’t hate it, at least!

    You can also see here the difference between plain stockinette with color changes and purl-when-you-can (or purl on the first row of a new color).  The plain parts, "inside" the trellises, are quite straightforward, and the parts "outside" are livelier, more subtly so when the colors are similar in tone, and more obviously when there is more of a contrast, such as here where the gray makes a distinct fleck against the blue or the lavendar.

    I did realize after the second pattern repeat that I should have had fewer color changes at the "busy" part of it, where the twists and the smaller oval are — so many purls there make it harder to see the shifts of the trellis.  I would recommend color bands of at least three rows at that point, instead of the two that I used, to make the twists stand out.

    As for shaping, I made my life a lot easier by simply knitting a tube as the Trellis pattern dictated, and did not attempt to shape it to my hot water bottle.  (To be honest, I didn’t swatch — this was my swatch — so I had no idea of how big it was going to be.  I did start it over after the first inch, when it was obviously going to be too small to go around, but other than that it was just a good guess.)  I’d thought that when sewing up I would leave a little slit at the bottom, because the bottle has a tab there for hanging, but since I knitted four repeats of the Trellis (for looks), the piece was quite long enough to cover the whole thing.  I added plain white shanked buttons and crochet chain loops at the shoulders, and there you have it!

    Button_detail

  • I’m not entirely sure why the delightful Blackbird wishes us to show-and-tell our butterdish, but here it is —

    Butterdish

    Bought so many years ago that I’ve long forgotten its origins — plain, serviceable, of a size to hold the longer sticks of butter that seemed so elegant to me, having grown up with the short, fat ones.

  • Peterman1930sdress_1

    From J. Peterman.  Sigh!

  • Sense

    These seem to appear whenever I see a Jane Austen film! This particular quiz is actually more effective than most, as the questions aren’t so leading ("Q: Would you rather dance or ride a scooter?" "A: You are La-La!").

    Amusing to see Emma Thompson pop up, anyway!

    "Which Jane Austen Character are You?"

    You scored as Elinor Dashwood. As Marianne’s older sister, Elinor lives at the other end of the emotional spectrum. She rarely reveals her intense feelings and is more concerned with being honest and loyal than having what she deserves. Even though her intentions are pure, she sets herself up for loss by constantly placing other people before her own needs. Overall, Elinor is gentle and rational but is just as capable of radical emotions (despite her withholding them) as her sister.

    Elinor Dashwood

    75%

    Marianne Dashwood

    63%

    Elizabeth Bennet

    59%

    Jane Bennet

    56%

    Charlotte Lucas

    47%

    Emma Woodhouse

    44%

    Lady Catherine

    3%

    Which Jane Austen Character are You? (For Females) Long Quiz!!!
    created with QuizFarm.com

  • Booking Through Thursday‘s questions for today come from Cate.

    1. Do you have any books that are signed by the author? I have a paperback of Outlander by Diana Gabaldon, who did a reading some years ago at Vroman’s (she is small and dark and very funny).  I had a Dick Francis book from a signing there, too (goodness, didn’t know he has a website!), but this was regretfully given away during one of my periodic running-out-of-shelf-space weeds, on the assumption that if I wanted to read any of his books again, I would surely be able to find it at the library.  I also have a copy of Shakespeare’s "Titus Andronicus" signed — not by the author! — by most of the cast of Deborah Warner’s 1987 RSC production.
    2. Do you have a story behind the autograph?  I loved the Outlander series from the beginning, with its wonderful blend of romance, adventure, history, and time travel (although I must say, I have lost steam regarding the later books in the series).  "Titus" was part of the schedule one blissful summer when I took a Shakespeare course/tour in college, and I went to see it because it was on the schedule.  It is not one of his better-known plays, to say the least, but I was completely amazed by the production’s power and with the cast’s brilliance, and so, not a little stage-struck, I haunted the back of the RSC to collect their signatures on a copy of the play (there are more on the next page, as well).  They were all very generous with their time, and I have very happy memories of that week in Stratford.

    Titusandronicus

  • Eyes

    Blackbird wishes to see our eyes for Show and Tell this week.

    Img_3493_small

    But optics sharp it needs, I ween,
      To see what is not to be seen.
          — John Trumbull (American, 1750-1831), McFingal, canto I, l. 67