• Thoughts on the Venezia Socks

    Oakribbed1

    Thanks to a set of back-to-back "Doctor Who" episodes on PBS last night, I finished these socks rather quickly.  (It was "The Empty Child" with the Ninth Doctor.  Creepy, with a dark, supernatural note, but of course — being Doctor Who — it all has a rational, if futuristic, explanation in the end.  Christopher Eccleston is quite capable and amusing, but I have a bit of a crush on David Tennant, so I’m looking forward to the next series!)

    These are the Oak Ribbed Socks from Knitting Vintage Socks by Nancy Bush, worked in Regia Silk in the Venezia colorway.  I have no compunction in renaming my version, even though I made only one minor modification, since they are called "Oak" in the book merely because that is what color Nancy Bush used — "Venezia" these are to me, and always will be!

    Img_8566small

    I was sure that they would be too small as written, at 63 sts, but they are not at all — perhaps this is a combination of the stretchiness of the rib and of the wool, and that I find I rather like the closer-fitting socks now that I’ve made a variety of patterns.  I did cast on with US1s and switched down to 0s after three inches, so that helped a bit with the fit — my gauge on the smaller needles was about 32 sts to 4 in./10cm.

    This is my first try at the French heel.  It’s a bit more snug than my usual, with only four sts at the turn.  The "seam" at the back of the heel is, I guess, a vestige of the days when socks were cut from flat fabric and seamed up the back — it doesn’t seem to serve much purpose otherwise, but it makes a pleasant change.

    Oak_frenchheel

    It’s also a bit deeper heel than usual, which gives it a rather luxurious feel, especially with the hint of silk from the Regia Silk.  Good for those with high insteps, I would think, without having to modify the heel flap length.

    Oak_roundtoe

    This is also my first try at the Round Toe.  It is worked with K2togs, spaced across in ever-decreasing rounds.  It is perhaps a bit narrower than I like, but certainly interesting and worth trying — it is not uncomfortable by any means.  I wasn’t thrilled with the belly-button effect of drawing the end of the wool through the last 8 sts, and so I grafted those sts together on the first sock, but with that last round being all K2togs, the graft is quite irregular, and in fact does look better with the drawstring.  I did some Googling and found out that the pointiness of this finish tends to smooth out over time, and so I did one with the graft and one with the original drawstring (Nancy Bush’s, I should say, since the original Weldon’s version had the knitter simply bind off) — time will tell!

    Oak_roundtoe3

    All in all, very comfy!

  • Decisions, Decisions

    Sockapalooza4_button

    The sock pal list is up!  So I’m thinking out loud here, while thumbing through my index file of "Possible Projects, Socks" —

    File

    actually the file is still in the developmental stage — I got this old drawer from the library when they were cleaning out the storage room (can you believe they wanted to get rid of this stuff? I carried it off in triumph, I can tell you!).  I’m writing down the details of projects that interest me, as well as a card for each family member (measurements, likes and dislikes) and a card for favorite yarns, with gauge and washability notes, etc.

    Anyway, from Interweave Knits back issues, I remember that Evelyn A. Clark’s Retro Rib socks (IK Winter ’04) seem to be a crowd-pleaser.  Nancy Bush’s Traveler’s Stockings (IK Summer ’00), Anne Woodbury’s Merino Lace (IK Summer ’03), and Grumperina’s Roza’s Socks (IK Spring ’07), are all definitely very high on my own must-have list. 

    The Traveler’s Stockings are also in Nancy Bush’s book Knitting on the Road, along with the equally delightful Conwy and Canal du Midi, among others.

    And prowling around the sock-knitting world online, there is Craftoholic’s stunningly simple Mata Hari socks —  Diamante are interesting — Snowflake or Quill Lace for spring/summer, perhaps — IK’s Winding Cable Knee Socks? — or if I really wanted to exert myself, Clessidra or Eunny’s Bayerische Socks, both wonderful.  And Charade is brand-spanking-new!

    Jaywalkers, a proven winner?

    Or something original?

    For myself, I don’t really care for the highly-embossed patterns, like the Waving Lace Socks (IK Spring ’04) or Embossed Leaves (IK Winter ’05) and Pomatomus — not that I don’t think they suit other people, and I wouldn’t hesitate to knit them for someone who would be happy with them.  It’s just that, like the flashier color combinations, they’re a bit too "out there" for plain-jane me.

    So far, I think Diamante and Charade are on the short-list….

  • ,

    Spring Fever

    Img_8466small

    I can’t seem to sit still these days.  I started in on the second of a pair of knee-length Jaywalkers in Koigu, flung it aside, cast on for a Flower Basket shawl, caught the scent of roses in the air and had to run out to the garden, and then I ran back in again and started another sock.

    The new one is Regia Silk in "Venezia" — not my usual choice of colors (really, I don’t like brown that much), but I like the beige/cream/blue combination, and the stuff seduced me with its softness.  I was really digging the way it works up in stockinette, but I’ve heard that the socks tend to droop a bit with the silk’s inelasticity, so common sense may win out.  I’ve started the Oak Ribbed Socks from Nancy Bush’s Knitting Vintage Socks, wh. have a 1x1x4x1 rib to console me for the lack of stockinette.  I swatched over 68 sts, which even at 32 sts per 4 in./10 cm was too big for my foot, so went with the 63 in the pattern, but that has to stretch q-u-i-t-e a lot on my calf.  Might have to start it again with larger needles for the first half of the leg.

    If I can keep my mind on it ….

  • ,

    Be Kind. Work Hard.

    Jaywalker_java1

    Cara’s post about blog manners makes me glad that the eight or ten folks out there who actually read this blog are really nice.  I’ve never gotten a mean comment here, in two years of blogging.  (There’s not many of you out there, to paraphrase Spencer Tracy, but what there is is cherce!)

    So here are a few somewhat random thoughts that have come into my head while reading Cara’s post and the resulting discussion —

    I do disagree with the people who said that because blogging is a new medium, we are still working out the issues of politeness.  Talking has been around for thousands of years.  It’s the same thing.  Blogging is a monologue at first, yes, but there is a significant area of it which is dialogue, or we wouldn’t do it, we would make scrapbooks for our knitting projects, or keep our writing in the journals under our pillows.  We want the connection to others.  (This is another reason that I always reply to comments made here.  It’s not just because my grandma told me I should be polite, but because I appreciate that someone has made the effort, small as it might be, to comment, to make that connection.  I also think that we should reply to the commenter.  Would you make someone come to your house to get the thank-you note you wrote?)  We should apply the same courtesies we give in conversation and everyday life to the conversations we have online.

    Of course we want to be liked, of course we want just a little bit of attention, or we wouldn’t be blogging atal.  (Aren’t we just a bit dismayed when we write a post and nobody comments?)  That doesn’t mean we want to set ourselves up as a target for someone’s rudeness and/or bitterness.

    Jaywalker_java2

    We have lost so much of our sense of personal responsibility in the last fifty years or so that we don’t always remember that it isn’t "me, me, me" all the time.  "Free speech," in the classic example, doesn’t give us license to shout "fire!" in a crowded theater, and it doesn’t give us the right to heap invective on someone who happens to have an opinion different from our own, or who is spending a lot of time being fascinated with a project that we may, perhaps, er, find relatively uninteresting.

    I never thought I would knit socks.  "Meh, socks.  What’s the big deal about these Jaywalkers, anyway?"  Now look at me!  Wouldn’t I be feeling really stupid right now, if I’d told Cara last summer to stop already with the Jaywalkers!

    Jaywalker_java3_2 

    It can be difficult for readers who don’t personally know the blogger to "get the whole picture."  Unlike some bloggers, I choose not to give the whole picture — there is much of my life, even much of my blogging life, that does not appear here, and so I don’t always realize that the mental image that Bluestocking readers have of me is not the mental image I have of myself.  I have to accept the fact that I may be misinterpreted because the alternatives are either a) be less reserved, or b) stop blogging, neither of which I want to do.  Likewise, I must understand that I may misinterpret a commenter who chooses not to a) be reserved, or b) stop commenting.  But then by a fairly logical extension, the commenter must consider that I, or any other blogger, may in fact be a real person with real feelings, and might as it happens be someone not unlike the commenter him- or herself.  (A year or so ago, I passed along something I thought amusing, which another blogger found quite revolting, to my utter surprise, and said so in no uncertain terms.  It colored my whole perception of that blogger, and I was so stung that I could not bring myself to even lurk for some time.  But now that I do again, I am constantly amazed at how similar we are in so many other areas.)

    Maybe I’m a bit sensitive on the subject of catty remarks because I’ve always been a bit awkward and bookish and I use words like "rivulet" which makes me a dork (isn’t it funny how your mental image of yourself still sticks around from junior high?!), and I’ve been on the receiving end of those kind of remarks, even as late as in my thirties.  I can’t be surprised that there are rude people out there — I see it too often, from ostensibly trivial things like blog comments to drivers on the freeway to horrible events in the news, rudeness taken to its ultimate, devastating conclusion.  Just because I’m not surprised doesn’t mean that I understand it, though.  Why waste all of that time and mental energy on being mean?

    (And yes, I have made a few of those catty remarks in my time.  Sometimes I wish the earth would swallow me up, I’m so mortified.  That’s what’s so great about the "publish" button — you don’t have to click on it.  You have a second chance to think about what you’re saying before you say it.) 

    Jaywalker_java4

    Stephanie’s remark that her blog is like her living room, and that she expects people to behave in her comments section the way they would (one hopes) in her living room, is worth remembering.

    I apologize to the people who come here today and think "not another post about blog manners!"  This is just my two cents.  I was sorry that Cara felt compelled to write her post, because it meant that she is disturbed by the negativity she’s experienced, but on the other hand, I was glad that it was Cara who wrote it, as she obviously reached a lot of people — 185 comments at the time I write this! — and if more eyes have been opened, so much the better.

    Jaywalker_java5

    Jaywalkers in "Java" Cherry Tree Hill Supersock, finished yesterday.  I worked these on larger needles than I’ve used before for Supersock, so the fabric is finer than usual — maybe just a tad thin, but wonderfully silky.

  • Javawalker

    I woke up at about 1:30 one morning last week — can’t call it "morning," really, at that point — and found myself reading knitting blogs, as one does, and that sign-ups for Sockapalooza 4 had just opened.  And, well, yes, I signed up!

    Sockapalooza4_button

    So, local sock news seems appropriate at this point.  I couldn’t seem to get enough of Jaywalkers after the "Lakeview" pair, and so I cast on in some Supersock in "Java," a gorgeous rich brown.

    Java1

    This is one of the few colorways I’ve tried in which ball and knitted fabric look remarkably similar.  Most of the time, of course, the striping (or, horrors, pooling and flashing) make it look quite unlike the skein.  "Java" does have a mild striping effect, but the colors are so similar and tone and so well-blended that the effect is not of stripes but of gentle ripples of color, as it were. 

    J1 J2

    I have never been much of a brown person, but this is far from being your average brown.  With a second look, you can see near-blues and almost-reds — it reminded me of a passage in the book I’m reading about Beatrix Potter, and her advice in Peter Rabbit’s Painting Book on mixing Antwerp blue with burnt sienna to make dark brown.  It’s rather hard to capture in a photograph, I find — the general effect in most lights is a bit darker than these pictures, although in bright sunlight, the tan tones are more prominent.

    (I have found, in my limited experience, that contrary to Sockamaniac’s review on the Cherry Tree Hill site, some Supersock colorways may pool and flash and some may not.  Even within the same skein, results may vary widely.  You never know.)

  • Jaywalker1

    I started out making these for Laura, and they fit rather snugly, so they went on to Julia instead, as she didn’t have a knitted pair of her own yet — these are still on the big side, but I can almost see her growing as I watch, so I think they’ll be fine after only a few months!

    I used 68 sts — one st less per each side of the bias — a simple matter.  The bias pattern seems pretty forgiving, and can be sized down quite a bit.  (Grumperina offers some suggestions about resizing up here.)

    The Shepherd Sock is lovely yarn to work with — it feels wonderful in my hands, makes a beautiful fabric, and the colors are rich and intense.

    Jaywalker2

    Jaywalker4

    But here is proof positive that when it somes to space-dyed yarn, I have no idea what I’m talking about — I remarked earlier with great confidence after the first sock that since I was making the pattern in a smaller size, the stripes were coming out slightly thicker than they would have done.  You will notice that the second sock I worked, on Julia’s left foot in the photos, has the stripes in a fairly narrow pattern.  So much for predictability!  And the socks in a yet smaller size — casting on 60 — did not stripe at all, merely blobbed, and so unattractively that I tried again two more times before I gave up in despair.  (Another reason that I gave the socks to Julia instead of Laura.)

    1 2

    3 4

    The second pair started out very promisingly, but then started to go up straight — at the center shaping line in the photo on the left, the purple is on one side and the green/blue on the other — very disconcerting.  So I’ve ripped them out and hidden the yarn away for another day, and decided to enjoy the ones I do like, the ones that Julia is so pleased with that she wanted to take a photo herself!

    Jaywalker3

  • Booking Through Thursday for today wants to know where we read

    Where do you do most of your reading? Your favorite spot?

    I usually read on the sofa in our living room, a comfy two-seater in sagey-green velveteen bought at a huge discount when our local Laura Ashley shop closed some years back.  (Our loss was our gain, as it were, as we could not have afforded it otherwise.)  My second choice is the IKEA sofa in what we call the front bedroom, although it is in fact our TV room.  I try not to read in bed much, as I have occasional bouts of insomnia.   I don’t think I have a favorite spot for reading, as such — every spot for reading is a favorite spot! — just a usual one.

    I finished reading David Crane’s Scott of the Antarctic a while back, and had to rush it back to the library some days late.  It is an interesting book, one that impressed me in a number of ways, and made me think, and want to linger over it.  I was delighted first of all by Crane’s writing, with complex yet fluid sentences that made me realize how comma-starved I’ve become in these days of text messages and emails.  Here is one of my favorites, regarding Scott’s meeting with his future wife, Kathleen: "Bernacchi [as an early biographer of Scott] reckoned that Scott had ‘only a slender knowledge of women,’ but it is fair to say that all the knowledge in the world would probably not have prepared him for the wonderfully tanned, determinedly virginal, twenty-eight-year-old sculptress with a passion for ‘male babies’ and a critical eye for a prospective father, just back from five months’ vagabonding around Greece" (p.312).  How often does one actually laugh out loud at a book on Polar exploration? I ask you!  Subtle, humorous, and telling.

    Scottoftheantarctic_davidcrane_amazon

    I was very impressed at Crane’s ability to not only write interestingly and thoughtfully, but to balance the admirable and not-so-admirable aspects of Scott’s character.  It did seem to be rather difficult at times, though, for him to tell enough of the story to keep the Antarctic-novice reader going.  I can imagine that it’s hard when the writer knows the cast of characters so well to say, for example, "Crean" or "Lashly," and not realize that the reader has no idea who Crean or Lashly is.  (Even I wished for a little list at the back of the book.)  Crane at one point remarks on Scott’s stomach troubles in a way that implies this was chronic, but it had not been mentioned to us before then.  On the other hand, Crane’s ability to make the rather gorgonlike Kathleen Scott into a relatively sympathetic character can only increase my admiration for his abilities as a writer.  (In Kathleen’s defense, I can only admit that most of my impressions of her come from the men’s diaries, as biased and anti-feminist as most Edwardian men.) 

    My first experience of the Capt. Scott story, as I’ve said before, was from the Roland Huntford book and television series — definitely unflattering towards Scott — and so my opinion of Scott was quite low for a long time, but after reading Crane’s book, I think that Huntford is too hard on Scott, or at least unwilling to show the good side.  I wonder if our taste for gossipy, warts-and-all biographies (did the gallant Captain Oates really father a child at the age of twenty, with an eleven-year-old girl?) these days make us underappreciate the loyalty Scott inspired — sadly lacking in so many of our public figures now, to our great cost.  Talking of the great Memorial Service at St. Paul’s, Crane writes, "There are few things that more poignantly signal the remoteness of Dean Inge’s age from our own, because while nothing is more inevitable or healthier than historical revisionism, what has happened to Scott’s reputation requires some other label.  It might seem odd from this distance that neo-Georgian England should find in a Darwin-carrying agnostic of Scott’s cast the type of Christian sacrifice, but the historical process that has shrunk the rich, complex and deeply human set of associations that once clustered round his story into an allegory of arrogance, selfishness and moral stupidity is every bit as extraordinary" (p.11).

    While we can’t forget that, as Huntford reminds us repeatedly, ponies and manhauling in the Antarctic lacks a great deal of common sense (to put it mildly), and that by association this lack is transferred to Scott himself with tragic results, we also must remember, as Crane points out not only elegantly but tellingly, that "In such a climate of doubt and self-questioning [as that of post-Industrial Revolution and pre-WWI England], the outpouring of national pride over Scott was no demonstration of imperialist triumphalism but its reverse, its militancy the militancy of weakness, its stridency the stridency of a country desperate for assurance that the moral qualities that once made it great were still intact" (p.9).  Huntford sees the mistakes — huge mistakes, certainly — while Crane sees the mistakes in context, which, while it doesn’t excuse them, does go some way towards explaining them.  "The most tempting answer is suggested by the cultural and political overtones implicit in Trevor Griffiths’ use [in "The Last Place on Earth" series] of the word ‘Englishness,’ because if Scott was once celebrated as the incarnation of everything an Englishman should be, he is now damned as the sad embodiment of everything he actually was" (p.12), in other words, an Englishman.  We do tend to lash out at the characteristics in other people that we most despise in ourselves, don’t we.  The qualities that "made England great" — duty, self-sacrifice, discipline, patriotism, hierarchy, as Crane lists them — are now seen as less than admirable.  It’s an interesting thought.

  • Garterknee3

    Inspiration, as so often happens, comes from many sources, the Araucania mittens being the first.  Looking at the stocking stitch, I realized that the wool would make a lovely, thick sock.  I had also been pondering the garter rib in Charlene Schurch’s Sensational Knitted Socks for some time, and Googling "araucania nature wool socks" led me to the discovery that since the Nature Wool felts so readily, socks made from it would felt and conform to the wearer’s feet — a fascinating idea.  I’m glad I didn’t see these,

    Taltuttensocks

    Cornelia Tuttle Hamilton’s Taltutten socks from her "Transitions" Nature Wool Collection, until after I’d finished writing up my own pattern.  I’m not the only one thinking about knee socks these days — see Gabriella Chiarenza’s gorgeous Clessidra knee socks in the Spring ’07 Knitty, too!

    Naturewool2

    The Nature Wool is lovely to work with, thick and wooly but still soft with a pleasant rusticness.  I love the way that the kettle-dyed colors shift here and there, sometimes markedly but very subtly here, in this dyelot.

    There are a fairly endless number of ways for incorporating leg shaping into a pattern.  They don’t always turn out they way they look on paper, though — this, for example,

    Img_7908small

    turned out like this,

    Garterknee1

    which is okay, but not what I had in mind.  In the end, I opted for a simple V-shaped gusset,

    Garterknee4

    which is easily adaptable to different calf sizes.  You don’t really realize how long your legs are until you knit yourself a pair of knee socks — I ended up adding two full inches more because of the horizontal stretch of the fabric once it was on my leg!

    Garterknee2

    And it’s a bonus that they look really good with my new shoes!

    Garterknee5

  • Redscarf

    Well, it took me an incredibly long time, but I have at last finished a scarf for the Red Scarf Project.  (There is a Red Scarf Project 2007 blog, too, although I believe that the Project itself is on-going.)  This is the organization that sponsors "care" packages for kids leaving foster care and heading off for college, the packages arriving around Valentine’s Day and including a handmade red scarf in each.

    It’s a bit embarrassing to call this a pattern, it’s so simple.  I’m not a big fan of either acrylics or heavily-textured yarns, but I like this — the bouclé is even nicer on the bias, I think.  And machine-washable!  The yarn is very splitty, but frankly I just ignored that most of the time, and it was fine — a little extra texture here and there, eh?  The pattern requires almost no concentration at all, although I did find it much easier to remember where I was by putting a large safety pin at the upper edge on the front, moving it up as the scarf grew!

    You will need 1 ball of Bernat Soft Bouclé in "Richest Red" and a pair of US7 or 8 needles.  This pattern will make a scarf about 7 x 59 inches (18 x 150 cm), is machine-washable, and is designed to use the entire ball of Soft Bouclé, with a bit left over as a margin of error.  If you want to make it go as far as you possibly can, I highly recommend putting in a lifeline before beginning the last decrease section, as the bouclé is very tricky to pick up once ripped out!

    A Red Scarf

    Kfb = K into front of st, then into back of the same st.

    Cast on 2 sts.

    Row 1: Kfb twice.
    Row 2: K.
    Row 3: Kfb, K to last st, Kfb.
    Row 4: K.

    Rep rows 3 and 4 until there are 34 sts.

    Work straight thus:

    Next row: Kfb, K to last 2 sts, K2tog.
    Next row: K.

    Rep these 2 rows until scarf measures about 59 inches.

    Next row: K2tog, K to last 2 sts, K2tog.
    Next row: K.

    Rep these 2 rows until 2 sts rem.  K2tog, and draw end of yarn through the last st to fasten off.  Weave in ends.

  • And the Winner Is …

    Winner

    Joy, of joyousknits!  Huzzah!

    Honorable mention goes to Kelli Ann of avoir une famille n’est pas comme un téléroman, just because she used the word déguste.  (Actually, Meriel, I was already thinking of it!)

    Thank you, everybody, for taking part in A Bluestocking Knits’ first-ever giveaway!